Image is Everything

Written by Marc Blake on November 15th, 2010

Commercial Photographers

One of the biggest mistakes that up and coming professional photographers make is not looking like a true professional. Most times, it’s an honest mistake. You see, many professional photographers start out as amateurs and then simply find themselves being able to make money taking pictures. Since this is so much cooler than their real jobs they sort of morph into professional photography over time.

However, just because you morphed, doesn’t mean you don’t have to act like a real live grownup who is in business for him or herself. Of course, those college buddies and family members gave you your real start. They might even support you by giving you work when they can. They don’t care about your portfolio per se’.

The rest of the world, however, is not as kind. They want to see a great looking portfolio and they want to be given a business card so that they know how to contact you. Writing your phone number on a cocktail napkin won’t cut it anymore. Although writing your email address on a cocktail napkin might! The real question here is what are you doing hanging out where cocktail napkins are found when you can be growing your skill in your studio and in front of your computer doing post production work?

People in the real world also want to see a website filled with beautiful examples of pictures you’ve taken. They also want to see information there about how to contact you. They want to know your specialties and how you work with your subjects. They also want to see you looking like a professional when you show up to do their shoot. What is a professional? I suppose technically it is one who is paid to do something when compared to others that would do it free. None the less, a pro needs to very good at what they do. Are you? If not, get out of the bar and into your studio and get good! It’s necessary.

You see, you need these people out in the real world in order to stay in business. So, as much as it might cut into your time for actually taking their pictures, creating a professional business image has to be one of your top priorities. The good news is; once you’ve taken some of the steps I’ve mentioned, like ordering business cards, setting up a website and creating a portfolio, it takes less work going forward to keep it going. I’m not telling the truth. I deeply apologize! Competition being what it is suggests doing more and more to stay ahead of the pack. Modern gear makes it easier for amateurs to knock out great looking work. Something has to help you stand out in the crowd.

I just finished attending a five+ hour seminar for amateur and professional photographers. The information provided covered everything from lighting techniques to gear techniques to composition techniques to interacting with your client(s) techniques to business techniques to technique techniques! Amazing stuff. I was honored to be a student of the maestro David Ziser (see http://www.digitalprotalk.blogspot.com). I can’t begin to tell you the amount of carefully prepared training that goes into to being a “real” pro (and best-selling author). In fact, Ziser is going to be releasing a 6-hour DVD of his seminar in January 2011 and I just know it’s going to be an incredible series jammed with everything you need to know to succeed – including where to get some of the best tools available – gear and software. I know this will be an awesome DVD series because I’m the producer of the DVD. [glowing boastful grin!!!]

Check out David’s Blog at the above link. He’s one of the best reads on photography and a master at helping you market yourself.

Then, grow up and put your business out into the real world. Nobody knows how great an artist you are until you make it your business to show them.

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20 Tips for Becoming a Professional Photographer – Part 4

Written by Marc Blake on October 31st, 2010

Commercial Photographers MarcBlake.com

For the past three parts in this series, we’ve focused mostly on perfecting your craft and improving your skills. For this last set of tips, however, we’re going to focus on the business side of being a photographer.

  1. Start marketing. There are many ways to do this. One of the simplest ways to start is to get involved in your community. Set up a booth at the local art fair or fall festival. All you need is a small table, some business cards, a sign and your portfolio. Consider raffling off a free photography session to get people to visit your table and give you their contact information. Once you have their information, you can start an email campaign. After visiting a few of these events, you should have a pretty decent start on a marketing campaign list.
  2. Start advertising. There are lots of ways to do this too. You might start with the yellow pages, your local community paper or other paper sources. But, you must also have at least one advertising avenue that is online. Whether it’s a paid ad on Google or an ad on a photography website, you have to be online.
  3. Get organized. You need to ensure that your appointments are appropriately managed, that you have all the gear you need for your shoots and that your financial books are kept. Consider a good online calendar that allows you to create lists of shots you should take and of gear you need, and get some bookkeeping software.
  4. Price it right. Do you know that your prices are competitive? Be sure you’re checking out the competition and that your prices are in line. If you’re charging a premium, be sure that you can show clients that you’re providing them extra value for their money.
  5. Know your costs. Costs are as important as pricing. You need to ensure that you’re doing everything you can to keep them under control and you need to be sure that you’re tracking them properly. You’ll need to have a good record of those expenses come tax time next year.

It might be wise to take a class in running your own small business to help ensure that you have a handle on the details. The business details may not be the  most fun part of your professional photography business; but they can make or break you.

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20 Tips for Becoming a Professional Photographer – Part 3

Written by Marc Blake on October 23rd, 2010

Commercial Photographers

We’ve been talking about the steps you need to take to turn your photography hobby into a career. Here’s part three of our four part series.

  1. Analyze, analyze, analyze. Take the time to evaluate each of your photographs. Look for what you could have done better. Ask other people to critique your work, too.
  2. Find your voice. People always appreciate a photographer who can show a new perspective on an object or a person. You need your own spin in order to create a unique offering to the public.
  3. Find and use the tools. There are lots of tools available to photographers that you can use to improve your business. From correcting your photos through Photoshop to using a calendar application on your phone to manage your appointments, you should be taking advantage of the web applications and online tools that can help you.
  4. Consider a niche. Niche photography is not for everyone, but you should seriously consider if it might be a good alternative for you. Take a look at your very best photos. Do they all have something in common? For example, are your wedding shots phenomenal, with a unique perspective on the most mundane and traditional of shots? Or, are your photos of flowers and birds unbelievable? If you have a real talent for a certain type of photography, you might consider calling it your specialty. It doesn’t mean that you can’t ever take a picture of anything else, but it might help you further define your business.
  5. Join a trade association. There are several trade associations for professional photographers, including APA (American Photographic Artists), PPA(Professional Photographers of America) or ASMP(American Society of Media Photographers). Any of these organizations can help you learn tricks of the trade, meet others in your profession and get valuable insight into the business.

We have one more installment coming up next week.

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Niche Portrait Photography

Written by Marc Blake on October 7th, 2010

Being a portrait photographer is a great way to make a full time living as a photographer. It may not be as sexy as being a photojournalist in Afghanistan, but it’s great full time work and it’s a heck of a lot safer. And, as long as there are cute babies and graduating seniors, there’s a market for portrait photographers.

More and more, however, portrait photography is becoming a niche market. There are many portrait photographers who specialize in just one or two kinds of portraiture. Check out some of the niche markets out there.

  1. Wedding photography. Wedding photographers have been around nearly as long as there have been weddings, but today it’s a much more creative field. Photographers specialize in taking unique wedding photos and creating both in studio engagement portraits, bridal portraits and shots at the wedding.
  2. Pregnancy Photography- Photography the growing baby belly is big business, and it’s becoming more popular every day. Some portrait photographers who specialize in pregnancy photography also shoot photos of newborns, placing them in unique poses.
  3. Dance Photography – Photographers are beginning to specialize in photographing dance troupes in artistic poses and also in portraits of individual dancers.
  4. Budoir Photography – Many women like to give sexy portraits to their partners for gifts. Niche photographers who specialize in lingerie shoots are becoming more and more popular. These shoots are all about making the ordinary woman look extraordinarily sexy for the camera.
  5. Candid portraiture – More and more people choose natural settings for their family portraits. The days of the “Olan Mills Studio” family portrait are numbered. Most families want pictures taken in more natural settings, and look for photographers who can give them a great family picture in the park or on their own front porch rather than in a studio.

If you’re interested in portrait photography, one of the niche areas might be for you. Any advantage you can find to make your work more interesting and appealing to others can be a big boon to your business.

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20 Tips for Becoming a Professional Photographer – Part 2

Written by Marc Blake on October 3rd, 2010

Commercial Photographers

In the (above) image two sisters where playing outdoors on the swing. The parents likely expected a typical big smile however that is not what I was to deliver! No doubt they have plenty of “smiling” pics anyway! Notice the highlight dead center in the eyes from the on-camera strobe used to help fill the outdoor ambient light. NEVER shoot with an on-camera strobe – except when you do. On camera really is the worse place for lighting an image. Breaking the rules of good photography is okay sometimes though.

Let’s get on with today’s topic!

Last week I offered you the first five of twenty tips to getting your professional photography career off the ground. Here are five more things you need to do to make a career out of what you love to do.

  1. Create a portfolio – Take several of your best shots and put them in plastic sleeves, organized in a three ring binder or portfolio. If you have shot different types of events, you may want to organize the portfolio by event type, such as weddings, family portraits, etc. This will ensure you’re prepared when clients want to see samples. In addition, put your work on cd’s so that you can give clients samples via this medium, too.
  2. If you have works for sale, talk to local coffee shops and restaurants about using your work to decorate their walls. Attach a price tag and your business card and you’re almost certain to get some sales and some clients over time.
  3. Copyright your work – Put your work on cd, which will allow you to copyright the entire collection, rather than one photo at a time. This saves you time and money.
  4. Invest in classes – Whether you decide to pursue a photography degree program, or just take a few classes at an art school, studying your craft is one of the best ways to improve your skills. You’ll learn new tools, techniques and perspectives, as well as getting a nice boon to your resume.
  5. Order business cards. Business cards can be purchased for almost nothing, but they are a great simple way to promote your business. You can pass them out when you’re shooting, post them on bulletin boards at local stores and coffee shops and use them as general calling cards to let people know that you’re a pro. And, it goes without saying that you should keep them with you at all times.

See you next week with five more tips.

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Great Photography Web Applications

Written by Marc Blake on October 2nd, 2010

Newbie photographers are typically looking for all the resources they can get to help them stay organized and take better pictures. Today’s technology has brought us many resources that can make photography more fun and make us better at it. The

Here are five of the coolest photography apps out there for your Iphone.

1. Second Shootr Consider this your photography assistant even if you can’t afford one. When you’re shooting an event, this app keeps everything organized for you. You can create an event, and store all the important information related to it. You can make check lists, including the equipment you need, “must have” shots, etc.

2. Golden HourGolden Hour lets you calculate where you are in the world and tells you the best daylight hours for shooting photographs. You can take your outdoor pictures during the day’s best light.

3. Exposure Calc - Exposure Calc is a perfect app for you if you’re new to using your camera’s manual settings. It helps you choose those settings depending on the scene and the ISO you want. Though it may not get it absolutely right, it will give you a great starting point.

4. Photography Trainer –This app is great for learning about D-SLR settings. You’ll be able to set up better shots than you ever thought possible.  This app is available for Android, too.

5.  Photography Headline News – This app keeps you up to date on everything that is going on in the world of photography including news, events and articles to help you improve your skills.

Using your Iphone’s apps is a great way to improve your photography skills through tools, tricks and all the latest information. These apps are all low cost and can really make add some tools to your photography toolbox.

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Tasting With the Eye – Photographing Food

Written by Marc Blake on October 1st, 2010

Food photography is, believe it or not, its own photography field. There are hundreds of professionals who focus solely on capturing images of food designed not only to make you hungry, but to make you hungry for that particular dish.

Though you may never make it your living, or even your hobby, the photography of food techniques are good idea to know. Some of these basic techniques will come in handy in case, for example, you’re grabbing images at a dinner party or a wedding and want those shots captured in a way that will help you show a beautifully presented plate of shrimp or a gorgeous wedding cake. Here are three areas to consider to help you take mouth watering pictures.

  • Watch the lighting – Food should be photographed in relatively natural light, but it needs a little sheen to it, so that the food doesn’t look dry. The food must also look as three dimensional as possible, so keep this in mind when you decide where to place the main light. Finally, you will usually want to emphasize the texture of the food, which may require you to “scrape” some light down the side of the food.
  • Consider presentation and color – In most cases, you don’t want to photograph a single piece of food that is uniform in color. For example, a slice of cheesecake doesn’t look that great no matter what you do, but a slice of cheesecake dripping with strawberry sauce looks fantastic. Adding a garnish to the plate can really make the food more photogenic.
  • Check the camera angle – As we mentioned above, you want to make the food as three dimensional looking as possible; so shooting from above is pretty much out of the question since it eliminates the sides of the food. The lower you go, the more height the food will have, but if you go too low, you eliminate the top of the food. Shooting from the side, at an angle that is not too low is best. As you go low, however, you may find that you need more props around the food to showcase it properly.

So, go cut yourself a slice of that red velvet cake. But, before you eat it, see how appealing you can make it look with your camera.

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The Cops Took My Film Even Though I’m All About Digital

Written by Marc Blake on September 29th, 2010

I hadn’t been in New York for over 30 years. Lot’s has changed since then. No, I’m not talking about New York changing. I’m talking about me… lot’s has changed. It’s no longer a Nikon F, 40 rolls of Plus-X, Tri-X, Koda… and Ektachrome and a 25,000 pound Bogen tripod. It’s a D3, 2 compact cards and a .000003 ounce Gitzo … monopod!

In all fairness, I suppose New York changed a bit too. The biggest change was about to present itself late in the morning of my “red-eye” arrival from the west coast.

I met up with my client at 5:00 AM, John Kennedy Airport in the form of a perfectly orchestrated flight schedule that had us both arriving at the same time from two different departure cities. So far, so good. We were picked up by our driver, “Ara.” Ara knew New York – living there his entire life. So, my client, “Forbidden Johnny,” Ara and I got into the car.

Our first stop was a very typical New York diner for a 6:00 AM (ish) breakfast. I must confess that there were bagels involved. Then it was off to our accommodations to drop off our baggage and prepare to head into the city.

They were cool with a pit stop to B&H Photo. Wow! (enough about B&H)

It was the drive into New York City (proper) that was the kick off to my adventure rich experience.

I enjoy shooting images out the car window.

I was snapping away without too much concern for creating award winning images. The City was up ahead on the highway and it was exciting to see the skyline growing closer.

We approached the Brooklyn tunnel. This was great! I saw the NYPD monitoring the tunnel. I was snapping away. Got a great shot of one of the cops out to the left of the car. He looked right at me as I triggered the shot. Perfect image! This was great.

We approached the toll station. Cool! More great shots. I was pretty psyched and in less than the blink of an eye our vehicle was surrounded by New York’s finest. What the $#@%!? I thought.

“You are not allowed to take pictures here! What are you doing? Why? Who are you? I want all your id’s… NOW!”

“What? I’m from California. I’m a tourist. You should see the great shot I got of the cop that was over there!”

After verifying that we were NOT terrorists obtaining surveillance material for a carefully calculated plot, they honored me with the opportunity to do my first New York showing (of my work). Yes. I had my first showing. A slide show. A private showing. For the New York Police Department. Right there at the entrance of the Brooklyn Tunnel. I was honored and felt much more relaxed after the battalion of cops holstered their revolvers.

You see… I was actually (apparently) in big trouble. You can’t take pictures of the bridges, tunnels, this, that and the other thing in New York (after 911).

“Oh!!!” I thought to myself. I get it. I did.

So my slide show(ing) of my fine work was over and deleted off my card and (for those of you old enough to know about “Alice’s Restaurant”) we had to pick up the trash at the bottom of the cliff and promise never to do that again.

Did I feel angry? Some. Was I feeling like “Big Brother” was squashing my creative freedom? Yes, but no. 911 was a pretty serious problem. Our economy has been damaged and so have some of our rights. It sucks… doesn’t it? It’s real… isn’t it?

For the sake of getting past this issue on this blog article, I’m going to risk taking a political and social stand. Here goes? Get over it. Don’t shoot bridges, tunnels, train stations, etc. (in New York City) (when cops are watching you).

Did I mention going to B&H? Yes, and that was our next stop now that we were freed.

After the B&H stop over we headed to the Hyatt at Times Square for the event I was there to photograph. We set up and it was nearly “showtime.”

Then, I was brought forward to handle some publicity photos with/for my client which included former Mayor and (at the time) Presidential candidate Rudy Giuliani.

Rudy Giuliani

What a day. Earlier, I was 70mm away from being dragged to jail by the New York PD. And, now I was the official photographer (for the moment anyway) with Presidential Candidate Giuliani my subject.

Somehow I feel compelled to end with a “moral of the story.” Okay. Here goes:

“Don’t sweat the small stuff. You can stand on your soap box and change the world because if you don’t, someone else will. However, don’t forget to get on to the next thing in life because you never know who (or what) is about to enter from the other side of that proverbial door.”

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Shooting the Great Outdoors

Written by Marc Blake on September 23rd, 2010

Fall is upon us, and so are some of the most breathtaking photo ops. Autumn is a great time of year for snapping outdoor photos and portraits. The window of opportunity is small, but if you seize it, you can get some amazing colors in just a few weeks, depending upon where you live. Here are some things to remember when photographing outdoors.

  1. Get up close – Often when we see a beautiful autumn scene, we go for a wide shot, to get in the myriad of colors. It’s not a bad idea, but it shouldn’t be your only idea. Get up close and personal with some of those colors. Look for texture, lines and pattern in your shots. Get so close to a leaf that it is nearly unrecognizable.

    Marc Blake

  2. Photograph the fall colors near water – Autumn colors are gorgeous, but they’re even more beautiful reflected off the water in just the right light. Experiment at different times of day, and with different areas of water, some still and some moving.

    Marc Blake

  3. Adjust your angle. Get down low when shooting plants and vegetation. The perspective from lying on the ground can be amazing. Conversely, some things will look completely different when photographed from directly above. Since outdoor elements often have different textures and colors from different angles, it pays to experiment.

    Marc Blake

  4. Take abstract shots – There’s no better time than fall to get abstract shots outdoors. The lighting can be great, and the colors and shapes are perfect. Try to stop seeing outdoor objects for what they are and see them for what they might be.

    Marc Blake

  5. Don’t be afraid to break the rules – Shoot into the sun, use backlighting and try to find strange angles. It won’t always work. But, when it does, it might just be spectacular!

There’s no better time to get outdoors with your camera. This is not only a great time of year to practice your outdoor photography skills, but it’s also a great time to begin to get some really memorable photographs.

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What’s Art Got to Do With It?

Written by Marc Blake on September 22nd, 2010

They say that “beauty is in the eye of the beholder”. It’s certainly true when it comes to art. What appeals to one person, may actually be very unattractive, and even repugnant, to another. But, while we’ll all always be entitled to our own opinions and feelings about pieces of art that we encounter, there’s no doubt that there are some common denominators about the very best artists.

  • Great artists create work that makes us react – This is true even if, sometimes, that reaction is negative. When we walk right by a painting or photograph without even giving it a second look, the artist has not done his job. Better for us to look at a picture with disgust than to not look at it at all. The stronger the reaction (either negative or positive) the better.
  • Good art is balanced – A good piece of art will guide your eye across it. The artist actually creates the sequence the viewer will use to in viewing the piece. Your eye will naturally begin at a certain point and work your way around to the other, more subtle elements. A beautifully balanced picture tells a story.
  • Good art has good light – Lighting is all important whether you’re creating a painting or taking a picture. Good light highlights those things you want in the forefront and casts shadows on less important, or more mysterious, elements. It’s a critical element in telling that story that I mentioned above.
  • Good art has movement – Even still life can have a feeling of movement. The dynamic element to a painting or picture makes it much more captivating to the viewer.
  • Good art has a message – A picture is, as they say, “worth a thousand words”. If you can look at the picture, hear the story and know what the artist was trying to tell you: then it’s a really good picture.

Of course, there is still an element of personal taste in judging whether a particular piece of art is “good”. But most can agree that the very best pieces of art have a few things in common.

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